Read the passage and answer the questions given below:
1. There is a clear dichotomy between Jayashankar Prasad’s daily life and the one that found expression in his literature. In his literary formulations, Prasad advocated an escape- from- personality ideal and categorically stated: “An artist’s art, and not his person, is the touchstone to assess his work . . . it is only after losing his personality that he emerges in his art as an artist”.
2. In Prasad’s works – his poems, short stories, novels, dramas etc. – what emerges is life as shaped in the writer’s inner self by his emotions, fancies, dreams, reveries . . . His writings are a record not of outer reality, but of the artist’s inner world. As such, of a proper appreciation and understanding of his works more emphasis needs to be placed on the working of his mind, than the events of his day to-day life.
3. Prasad was born in a renowned family of Varansi. His grand-father Shiv RatanSahu, a dealer in high quality perfumed tobacco (snuff). Besides being an astute businessman, he was endowed with a marked cultural taste. His home was the meeting place of the local poets, singers, artists, scholars and men of religion. Prasad’s father Devi Prasad Sahu carried forward this high tradition of family. Prasad, therefore, had a chance to study the various phases of human nature in the light of the business traditions, artistic taste and religious background of his family.
4. When the business had somewhat recovered, Prasad planned the publication of a literary journal. Prasad started the “Indu”. The inaugural number appeared in July 1909. By this time Prasad’s notions of literature had crystalized into a credo. In the first issue of Indu, he proclaimed, “Literature has no fixed aim; it is not slave to rules; it is free and all-embracing genius, gives birth to genuine literature which is subservient to none. Whatever in the world is true and beautiful is its subject matter. By the dealing with the True and Beautiful it establishes the one and affects the full flowering of the others. Its force can be measured by the degree of pleasure it gives to the reader’s mind as also by criticism which is free of all prejudice”. The words sound like the manifesto of romanticism in literature.
5. Even while recognizing the social relevance of literature, Prasad insisted, “The poet is a creator . . . he is not conditioned by his milieu; rather it is he who moulds it and gives it a new shape; he conjures up a new world of beauty where the reader for the time being, becomes oblivious of the outer world and passes his time in an eternal spring garden where golden lotuses blossom and the air is thick and pollen”. Thus, the chief aim of literature according to Prasad is to give joy to the reader and to create a state of bliss in him. Later under the impact of Shaivadvaitism, this faith of Prasad got further strengthened.
(Extract from ‘Jayashankar Prasad- His mind and Art’ by Dr. Nagendra)
2.1 On the basis of your understanding of the above passage, make notes on it using headings and subheadings. Use recognizable abbreviations (wherever necessary-minimum four) and a format you consider suitable. Also supply an appropriate title to it.
2.2 Write a summary of the passage in about 100 words.
2.1
Jayashankar Prasad- A glimpse of his life
1. His exp.n in lit.:
1.1 an escape
1.2 lose your personality
1.3 record of writer’s inner world
1.4 more emph.z on mind than body
2. Personal life:
2.1 renowed family of Varanasi
2.2 home- meeting place of the local poets, singers
2.3 grandfather – an astute business man
2.4 had a chance to study phases of human nature
3. Started the “Indu”
3.1 in July 1909
3.2 proclaimed
3.2.1 lit. has no fixed aim
3.2.2 is free and all embra’g genius
3.2.3 gives birth to genuine lit.
4. Social relevance of literature
4.1 poet is a creator
4.2 moulds it
4.3 conjures up a new world of beauty
4.4 becomes oblivious of the outer world
5. Chief aim of lit.
5.1 give joy to the reader
5.2 create a state of bliss
Abbreviations:
Lit. – literature
Emph.z – emphasize
Exp.n – expression
Embra’g – embracing
2.2
Summary
Jayshankar Prasad is a well-known name in the field of literature. He conducted experiments in literature. He believed that it was only after losing his personality that one emerges in his art as an artist. His write-ups are a record of the writer’s inner world. He belonged to a renowned family in Varanasi. His home was a meeting place for local poets and singers. His grandfather was an astute business man. He therefore had a chance to study phases of human nature. He started with the publication of a literary journal named “Indu” which appeared first on July 1909. He proclaimed that literature had no fixed aim. It was free and for all embracing genius. He was the one who gave birth to genuine literature. He found the social relevance of literature and said that a poet is a creator who moulds it and conjures up a new world of beauty and becomes oblivious of the outer world. The chief aim of literature was to give joy to the readers and create a state of bliss.
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